Vincent Lo - Concerto Grosso in F Major

Surprise! For the past few months, I have been working on composing a Baroque concerto grosso. It was a wonderful learning process requiring many discussions and reading sessions between myself and various friends from the SFUCO. As I have expanded my writing to winds this time, there were many new fun challenges to tackle and it has been an immensely enjoyable experience. So anyways, enjoy and leave comments as you please.

i. Allegro ma non troppo.
ii. Largo.
iii. Menuetto - Trio - Menuetto inverso

PREFACE. This piece was composed for the Simon Fraser University Chamber Orchestra and I started the project in December 2010. Having composed my first violin concerto not long ago last summer, I decided to expand my instrumentation to incorporate winds into my next work. Having studied the Brandenburg Concertos of Bach, I was inspired to compose a concerto grosso in a similar style with my own personal touch.

ACKNOWLEDGMENTS. I would like to thank George Chung (violin), Rei Miyasaka (violin), Jerry Yon (cello), Grandy Chu (cello), Colin Hume (horn), Fatima Lee (basoon), and Maia Smith (oboe) for dedicating their time to review my writing on request. And once again, I would like to thank the entire Simon Fraser University Chamber Orchestra for inspiring me to take on this project.

Vincent Lo Monday, January 31, 2011

Kimi ga Iru Kara / 君がいるから (Final Fantasy XIII) - Original Piano Arrangement

The first time I came across Kimi ga Iru Kara on YouTube, I couldn't hear anything special about the song. But upon repeated listenings, I realized that this song is full of unique modulations that one does not typically find in Japanese pop songs. The driving force behind this piece is the key change between the tonic and the flattened fifth (B major and F major and all their related keys). Who would have thought to implement that into a pop song? That is simply genius.

Some challenges in arranging this piece was getting the page turns to be as unobtrusive as possible, while minimizing the number of pages. Also there is a part in the first introduction where I use a triplet. This is to accommodate for the rolled chord that comes right after. There are also some subtle rhythmic differences between my arrangements and the original for the sake of pianistic writing and ease of playing.

Hope you enjoy it. Please rate and comment. Score will be available at my website.